Dwaya
![video end photo](https://kalabhi.org/wp-content/uploads/2023/07/video-end-photo.jpg)
In Collaboration with Arehole Prathistana, this play was presented to the public Written and Director: Prashanth Udhyavar br> In this play, 2 energetic artists Shwetha Arehole and Trisha D Shetty very strongly present the topic related to gender discrimination and the Eligibility concept...Myths are timeless truths! It is for this reason that epics like the Mahabharata are reinterpreted over time and become closer to ordinary life. The story of Shikhandini from the Mahabharata is a staged experiment that tells a serious subject of mythology as the same serious subject of 'dvaya', here is a side plot. Another 0 is his! 20. The tragedy of Shikhandini's life of Dandva of Purana, who understands the change of Lla's masculinity to her mother, "actually reinterprets the Ade story through her mother. But. Shiva's "change is natural. So an attempt to find solace in reality for that tragedy of myth! “Nothing is wrong here! No one to complain! The shards of emotions that have been frozen for centuries in the inner body burst like a volcano, like a wet charge. To what extent is this male-female division that we have made correct? Who is responsible for accepting the status quo? The question is where should be changed? Thus Shiva-Shikhandini's encounter, Janaki Manasvini, Drupada, and Vasavi's encounter while posing questions. There is a feeling of male and female in every human being. If those feelings are mixed in equal harmony without increasing or decreasing.....how beautiful life is! Such a simple and beautiful life is a man's search for love, 'dwaya'.